And if you can’t be with the one you love, honey
Love the one you’re with
–by Stephen Stills
Used to be, I had all kinds of excuses: they’re too short, they’re too tall, they’re balance is poor, I don’t like this music, and on.
Early on, I’d set a challenge for myself to find something I could use in every lesson that I took from any instructor, teacher. I think it paid off. And now my challenge is to cabeceo the first prospect I lay eyes on, and to enjoy every tanda with whoever asks me or accepts my invitation.
I’m grateful to Andrew Sutton of Dance Ninjas (danceninjas.com) for fostering the notion that we ought to be able to create an enjoyable dance with anyone. Now sure, there will be preferences, and some exquisite dance partners. But do we want to have mediocre dances simply because we don’t have the ideal partner, music, setting, etc.? Andrew has both wonderful dance methods, and highly useful things to say about reframing experiences to give them new meaning.
The one type of partner who still challenges me is someone who has accepted my invitation (seemingly of their own free will!) but then proceeds to dance as if they have no connection to me or the music.
In this situation I employ two states of mind. First–and although I hate using this expression, it seems to make the idea immediately clear–there is the “resting bitch face”. That is, regardless of what I might think I perceive in their look, posture, energy, attention, etc.; I can’t really know what is going on inside. All I can really control is myself in trying to create the best dance experience I know how.
Secondly, I view my partner as if they’ve gifted me with a puzzle. One of my favorite work/life experiences was when as an undergraduate I served as a “User Consultant” helping faculty, staff, and students from all departments, all across campus, using any kind of computer language. I helped them debug their programs. Working with them to explore what they wanted and what they thought they were doing, they frequently discovered the solution for themselves as we talked.
By exploring the music and the movement possibilities with my partner, seeing what works well or not, what seems to provoke a (good!) response, what results in a feeling of calm, then we are able as a team to find that good place in dance.