Notes from Every Trick in the Book
Notes from EVERY TRICK IN THE BOOK by Charlie Dancey, Juggling chapter, Learning How to Learn Tricks, pp. 467-468 You can save yourself a lot
Notes from EVERY TRICK IN THE BOOK by Charlie Dancey, Juggling chapter, Learning How to Learn Tricks, pp. 467-468 You can save yourself a lot
My underlinings from You’ll Never “Waste” Time Practicing As Long As You Are Doing This, October 14, 2018 by Bill Plake. [Substitute “Dance” for “Instrument”
A good friend (to everyone) and fine tanguero, Gary Horton, Jr. wrote a question on Facebook. JUST.DANCE. Certainly well-intended advice, as I’ve heard it often
Guest article by Iona Italia8 October 2018Translator / Editor / WriterFacebook The key to improving your tango, we’re often told, is practice. But what precisely
I have these things going on in my current practice with a partner. Regularly checking in with each other on comfort and clarity. Periodic video
“Oh, heck! I’ll never get.” “I’m not built right for this.” “I’ve always been too tight.” Versus, “Hm, I wonder why that happened?” “How come
Aren’t our bodies are the most incredibly wonderful, complex, and interesting systems? Now when we say body we really mean mind-body, because it’s all but
This is a derivation of the Tango Lexicon developed by David Lampson and Mitra Martin of Oxygen Tango in Los Angeles. I feel grateful for
Summary — After presenting the problem we give two exercises to help both leaders and followers discover how to wait in quiet anticipation. “Anticipation” by
(We’ve talked about imagery and games/exercises for teaching. This post deals with props. Actually, this prop is more like a test instrument…) Every tango school
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